August 28, 2008

A back to school inspired contest for artists of all ages. Leave a comment below for a chance to win this cool colored pencil set. What sold me was the built in pencil sharpener, not to mention the streamlined case. These aren’t your kid’s colored pencils!
Plumier Colored Pencil Set by Motel Deluxe. A sleek metal tube holds 20 brightly colored pencils. The lid even has a built in sharpener so your drawings will always be crisp! “Plumier” is the French word for pencil case.
Contest ends at noon EST, Monday September 1. Good luck!
August 18, 2008
After reading this great article by Lee Newham, via David Airey, I got to thinking about interviews for graphic design jobs. When I used to teach a college graphic design portfolio class, one of the things I had my students do each semester was present their portfolio to the class. Several times. If you’re headed to a job interview soon, here are some tips on how to put your best foot forward:
- Never say anything bad about your design work. And I mean never. I used to do a whole fake presentation to my class where I’d get up in front of the room and say something like: “Well, here’s my advertisement. I think it’s OK, but I’m not really happy with the type I used, and I think that the picture could be better. My teacher liked it, but it’s not really my best work.” Then I’d ask them what they thought of the work. Inevitably, they’d say they liked it, but… They were looking for ways to improve on it. Then I’d come in again and present the same piece. “This was an advertisement I did for a graphic design class. I’m really pleased with the way it came out, especially the typography. I used a serif face here to emphasize the traditional values of the company, and I created a color scheme based on the photo that was provided.” When I asked the class what they thought of the work that time, they said that they saw it in a much better light. If you say negative things about your work, your interviewer will only agree with you. If you can’t think of anything positive to say about your work, don’t include it in your portfolio.
- Practice your presentation. You should tell your interviewer briefly what the assignment or project was, what was provided, and what your objective was. Don’t feel like you need to make a ten minute presentation for each piece, but thirty seconds or so of explanation is very helpful. “This CD cover was designed for my Computer Illustration class using Illustrator and InDesign. We were asked to create an allegorical illustration for a band of our choice using a supplied CD template. I chose The Decemberists because their existing album covers showed that they like to push the design envelope. They’ve used some really great illustrators in the past.”
- Pick only your best pieces. You should have 10-12 pieces total, and they should all be your best work. If you don’t have that many good pieces from class (or your last job), give yourself assignments. Rework an older piece. Design a book cover. Make a brochure. Don’t include anything that you’re not 100% proud of.
- Show variety in your work. If everything you show has a photograph with a vector illustration over it or all of your pieces use grunge typography, you look very limited. You don’t have to be all over the map, but make sure your pieces show a breadth of work.
- Consider showing some sketches. It’s very interesting to see the process behind the work. Don’t do it for every piece you have, but if you have a nice progression, starting with sketches and moving through some conceptualizations to the final work, it may be a good idea to include it in your portfolio.
Of course the inevitable advice also applies — make sure your portfolio is immaculately clean, bring extra copies of your resume (CV), send a thank you note to your interviewer the next day, thanking them for their time.
What are your tips for giving good interview? Any horror stories?
August 13, 2008
What does this say?

If you read that as Obama (as in Barack Obama, presumptive Democratic candidate for the US Presidency), you’re probably an American. If you haven’t heard of Obama (although now that he’s the “biggest celebrity in the world” I don’t know who you would be), I don’t think there’s any way you’d be able to read this sticker correctly. 08ama? Huh?
For the record, I think this is a great design. Witty, eye catching, and it says what it’s trying to say stylishly and in a minimum of space. But it shows that you have to know your audience. If you presume that people already know how to read your clever design work, you’d better be right. Otherwise this would be as helpful as a sticker reading 317537 (which is how you can type “LESLIE” on a upside down calculator.)
You can buy your own stickers on Ebay. You know, if you’re supporting 08ama.
August 8, 2008

Check out Glenn Feron’s retouching skills. I truly couldn’t look away. No wonder you never see anyone in real life who looks like a magazine model. They don’t even look like themselves. Even Faith Hill is not as hot as… Faith Hill. As a designer who has done her share of retouching, I’m impressed at the technical prowess behind Glenn Feron’s work, but I think good retouching enhances what’s already there, it doesn’t completely revise it.
What do you think? Does this contribute to the low self-esteem of many girls and women (and men)? Or is it acceptable to make people look as good as they can?
August 6, 2008
The award for most boring cover design on a fiction title goes to… America, America: A Novel by Ethan Canin. Snoozefest.

The cliche art, the clunky transparent white area behind the title, the uninspired choice of De Vinne for the type, the flat black and white text colors, the blah placement of the text. This looks like a completely uninteresting book.
Surprisingly, though, that doesn’t seem to be the case. The reviews I’ve seen about this book are all raves. There are no less than 29 enthusiastic blurbs on the Amazon page. And my local Barnes & Noble hung a giant version of the cover in its front windows (which is why I noticed it in the first place).
Usually a book by an acclaimed author that gets the full PR push from the publisher tries a little harder in the cover department. I wonder what went on here?